The name's Oculus. I review and collect rare, interesting and underrated genre fiction, and sometimes I muse about things.
Sunday, September 12, 2021
Oculus Presents: This 'Exorcist' cover is metal as hell
Wednesday, August 25, 2021
Oculus Presents: The eighth passenger is Death
Hi, folks, welcome to Oculus Presents.
I'll be honest with y'all: the Hungarian title for Alien is mad dumb. A nyolcadik utas: a Halál (see the title of this post for the translation) is eye-catching, sure, but it doesn't represent the sheer dread in this movie nearly as much as the enigmatic original title - hell, it sounds more like the title of an Ingmar Bergman vehicle than 70's sci-fi horror. On the other hand, the first Hungarian cover for Alan Dean Foster's novelization might be one of my favorite book covers ever.
This edition is a 1987 release from the prolific speculative fiction publishing house Kozmosz Könyvek, translated by Piroska F. Nagy. I'll confess I haven't read it all the way through - I usually try to read books in their original language if I speak it - but the first few chapters had exactly the sort of moody, dreamlike tone you could expect from a cover like that. The work of artist Pál Varga, this cover evokes more the mood of vintage "cold" sci-fi flicks like Solaris or THX 1138, but at the same time it's actually faithful to the story, which is always welcome on a genre fiction book cover. The novelization has been released twice more in Hungarian with deeply "meh" covers (although hopefully better translations: as much as I liked the atmosphere of this version, it drove me nuts that both Ripley and Lambert were referred to as "girl" rather than "woman" by the narration, ugh), but the first edition of it is a real gem of Hungarian sci-fi publishing.
Sunday, August 22, 2021
Oculus Presents: Three rare vintage book covers
Hey, folks, this is Oculus Presents. Again.
I'm not exactly a book collector, my occasional eBay and Thriftbooks browsing aside - as much as I love forgotten and underrated genre fiction, I'm usually content to just long from afar for the truly rare out-of-print editions that go for huge prices on the collectors' market. One of the reasons I admire Valancourt Books so much (I urge y'all specfic fans to check out their catalog and throw a few bucks their way if you can - I'm not, like, affiliated with them or anything, I just think they're really neat) is the fact that they've brought back to life a whole lot of highly sought-after books that were either very rare or flat-out impossible to track down. But it does happen sometimes that I run into a real gem during my library and used bookshop trips - something that while not completely unavailable on the market, is enough of a curiosity to catch my eye. Hell, sometimes I won't even know they're rare until I check for them on the internet. I own three particular books that are really anything but rarities by themselves - but the editions in my library are very little known and very eye-catching, so I thought I'd share.
First off is this 1966 Pan Books Ltd. edition of Dead Man's Folly by Agatha Christie. I know Agatha Christie books are about as far from rarities as you can get - can't throw a stone in a bookshop or a library without hitting one - but this particular edition by London publisher Pan Books has pretty much vanished from consciousness, and I've seen copies of it go for 16 dollars and above. Not too shabby for a bestselling novel. Still, it's a shame, because I really dig the colors and the general layout of this cover - simple, but eye-catching with a real classy vintage flair. The book itself I've read and loved; I really think every single fan of crime fiction owes it to themselves to read at least one Agatha Christie book in their lives.
Oculus Presents: The story of my favorite Hungarian horror cover
Hey, everyone, this is Oculus Reviews. It's uh. Been a while, hasn't it.
IRL stuff has kind of eaten up my time and energies in the past year or so, hence me heinously neglecting this blog, but honestly, the more time goes on, the more I miss being able to talk in-depth about genre fiction that I love. I have found some true underrated gems in the year that has passed since my last post on this blog, as well as some true duds - stuff that has embroidered itself into my brain for whatever reason, but also stuff that relatively few people have heard about in the grand scheme of things. I mean, I probably won't surprise anyone by saying that Frank Herbert's Dune books are masterpieces, but how many of you folks have heard about his novel The Green Brain?
Bottom line: we're back with a vengeance, baby. And to kick off things, let me present my favorite Hungarian edition of the one and only Dracula by Bram Stoker:
I still recall the surprised euphoria I'd felt years and years ago (I don't think I was older than 14) when I found this book in my favorite used bookshop, although back then I was too excited to read it to really stop and savor this fantastic cover art. I really dig the sharp, surprising color scheme as well as the ghastly imagery that evokes old tapestries or perhaps woodcut art; the ship episode is by far my favorite and most remembered of the book, so I'm extra into the fact that the cover artist chose that particular bit to illustrate.
At first glance, the book doesn't name the person who drew this - even with some dedicated Google-fu, all I could dig up is that my copy is a 1989 edition by the publishing house/literary society Jókai Irodalmi Egyesület, and is the reprint of a 1925 Hungarian edition translated by Ferencz Tar. (Amazingly enough, the 1925 one was the fourth Hungarian edition of this book - looks like the readers really ate up this one.) Some more research, however, finally netted me the cover artist's name: this same cover art, only in green instead of red, adorned the cover of the 1925 edition, and was drawn by acclaimed Hungarian artist Tibor Gönczi-Gebhardt. Not sure who in particular is interested in this bit of Hungarian literary history, but I find it really neat to have discovered a bit of lore behind one of my favorite covers ever made for a horror novel. As for whether the contents of the book hold up to my fond memories - only a reread will answer me that question, am I right?


